01
Developmental edit
The structural read: pacing, arc, stakes, and whether the book delivers what it promises.
- →Editorial letter, 8–15 pages
- →Chapter-by-chapter notes
- →Structure and pacing map
- →Follow-up call to talk it through
Editing for authors who care about voice
Developmental editing, copyediting, and proofreading from editors who protect your voice instead of flattening it. You see every change and approve every call.



1,500
Free sample edit words
2–4 wks
Typical turnaround
3 passes
Structure, line, proof
0
Voice rewritten without asking
Sound familiar?
What you get
01
The structural read: pacing, arc, stakes, and whether the book delivers what it promises.
02
Sentence-level work for clarity, rhythm, and consistency — with your voice kept intact.
03
The last pass before print, on the laid-out pages where real errors hide.
How it works
01
Share 1,500 words. We return a real edited excerpt at no cost.
02
We pair you with a genre-matched editor and quote by word count and depth.
03
Tracked changes, margin notes, and an editorial letter where relevant.
04
A follow-up call plus one review pass once your revisions are in.
Case studies
Three manuscripts, three different levels of editing, and the specific problem each one solved. Word counts and change totals are taken from the delivered files.

Developmental edit after four failed rewrites
Marissa Kalb · Portland, OR · Upmarket fiction · 108,000 words
The problem. Beta readers kept saying the middle dragged, and four rewrites of the same act had not fixed it.
What we did
“The letter named the problem in one sentence: I was resolving the tension in chapter nine instead of chapter twenty. Everything after that was straightforward.”

Line edit for a non-native English voice
Tomás Bertoni · Buenos Aires, Argentina · Short fiction · 62,000 words
The problem. A previous editor had smoothed his rhythm into flat, generic prose, and he was afraid to hand the book to anyone again.
What we did
“I could see the reason behind every change, so I could argue with a few of them. That is what made it feel like my book still.”

Copyedit and proofread before launch
Deborah Nsiah-Asare · Accra, Ghana · Thriller · 84,000 words
The problem. She was still finding typos in a draft she had proofed six times, and her launch date was five weeks away.
What we did
“Six of my characters aged wrong across one week of story time. I never would have caught that on my own.”
Author names and locations are used with permission. Figures are taken from each author’s own retail and email dashboards over the stated period.
Packages
Every scope is shaped around your manuscript. We confirm the details after your free consultation and manuscript review.
If you are not sure how much editing your book needs, we read the manuscript and tell you honestly what level of editing will help most.
Typically includes
Best for: Authors with a first or second draft who want an honest read before paying for a full edit.
Request a free sample editIf the story is settled and you want the writing clean, we tighten every line, fix the mistakes, and keep your voice intact.
Typically includes
Best for: Authors whose manuscript is structurally finished and needs a clean, professional final pass.
Submit my manuscriptIf the book is not working yet and you want help fixing it, we edit deeply, explain every decision, and stay with you through the rewrite.
Typically includes
Best for: Authors who want a complete editorial partnership from rough draft to a manuscript ready to publish.
Get my free editorial planAuthors we work with
“The editorial letter finally explained why chapter nine was not working.”
“Every change was tracked and explained. I never felt overwritten.”
“The sample edit sold me in ten minutes.”
Questions
Yes. Send up to 1,500 words and we return a genuinely edited excerpt so you can judge fit before paying.
Next step
No cost, no commitment. You get a real edited excerpt and a clear recommendation on the level of editing your book needs.
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